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SPLENDIDIS LONGUM VALEDICO NUGIS

  Footnote:

  {1}EdwardWotton,elderbrotherofSirHenryWotton.HewasknightedbyElizabethin1592,andmadeptrollerofherHousehold.

  ObservetheplayfulnessinSidneysopeningandcloseofatreatisewrittenthroughoutinplain,manlyEnglishwithoutEuphuism,andstrictlyreasoned.

  {2}Heretheintroduends,andtheargumentbeginswithitsPart1.PoetrythefirstLight-giver.

  {3}Afablefromthe"Hetamythium"ofLaurentiusAbstemius,ProfessorofBellesLettresatUrbino,andLibrariantoDukeGuidoUbaldouhePontificateofAlexanderVI.(1492-1503).

  {4}Plinysays("Nat.Hist.,"lib.xi.,cap.62)thattheyoungvipers,impatienttobeborhroughthesideoftheirmother,andsokillher.

  {5}Part2.BorrowedfrombyPhilosophers.

  {6}Timaeus,thePythagoreanphilosopherofLocri,ahenianCritiasarerepresentedbyPlatoashavinglistehediscourseofSocratesonaRepublic.Socratescallsooshowsuchastateina.CritiaswilltelloftherescueofEuropebytheacitizensofAttica,10,000yearsbefore,fromaninroadoftlessinvaderswhocamefromthevastislandofAtlantis,iernO;astruggleofwhichrecordreservediempleofNaithorAtheSais,i,andhandeddown,throughSolon,byfamilytraditiontoCritias.ButfirstTimaeusagreestoexpouructureoftheuniverse;thenCritias,inapieceleftunfinishedbyPlato,proceedstoshowanidealsocietyinaagainstpressureofadahatseemsirresistible.

  {7}Platos"Republic,"bookii.

  {8}Part3.BorrowedfrombyHistorians.

  {9}Part4.HoheRomansasSacredandProphetic.

  {10}Part5.AndreallysacredandprophetithePsalmsofDavid.

  {11}Part6.BytheGreeks,PoetswerehohthenameofMakers.

  {12}Poetryistheoiveart.Astronomersandothersrepeatwhattheyfind.

  {13}PoetsimproveNature.

  {14}Andidealizeman.

  {15}HereaSedPartoftheEssaybegins.

  {16}Part1.Poetrydefined.

  {17}Part2.Itskinds.a.Divine.

  {18}Philosophical,whichisperhapstooimitative.

  {19}MarcusManiliuswroteuiberiusametricaltreatiseonAstronomy,ofwhichfivebooksonthefixedstarsremain.

  {20}Poetryproper.{21}Part3.SubdivisionsofPoetryproper.

  {22}Itsessenceisihought,notinapparellingofverse.

  {23}HeliodoruswasBishopofTricThessaly,andlivedinthefourthtury.HisstoryofTheagenesandChariclea,calledthe"AEthiopica,"wasaromantictaleinGreekwhichwas,inElizabethsreign,translatedintoEnglish.

  {24}ThePoetsarts.Part1.WORK:oetrydoesforus.

  {25}Theirclaylodgings-"Suchharmonyisinimmortalsouls;ButwhilstthismuddyvestureofdecayDothgrosslycloseitin,weothearit."(Shakespeare,"MertofVenice,"actv.,sc.1){26}Poetrybestadvaheendofallearthlylearning,virtuousa.

  {27}ItsadvantagehereinoverMoralPhilosophy.

  {28}ItsadvantagehereinoverHistory.

  {29}"Allmenmakefaults,andevenIinthis,Authorisingthytrespasswithpare."Shakespeare,"So"35.

  {30}"Witnessofthetimes,lightoftruth,lifeofmemory,mistressoflife,messengerofantiquity."--Cicero,"DeOratore."

  {31}InwhatmahePoetgoesbeyondPhilosopher,Historian,andallothers(batingparisonwiththeDivine).

  {32}HeisbeyondthePhilosopher.

  {33}Horaces"ArsPoetica,"lines372-3.ButHoracewrote"Nonhomines,nonDi"--"hermen,gods,erednshaveadmittedmediocrityis."

  {34}Themoralon-places.onPlace,"Lounis,"wasatermusedinoldrhetorictorepreseimoniesorpithysentencesofgoodauthorswhichmightbeusedftheningoradadiscourse;butsaidKeckermann,whoseRhetoricwasatext-bookinthedaysofJamesI.andCharlesI.,"Becauseitisimpossiblethustoreadthroughallauthors,therearebooksthatgivestudentsofeloquetheyhesuofbooksofonPlaces,likethatcollectedbyStobaeusoutofCicero,Seerence,Aristotle;butespeciallythebookentitledPolyanthea,providesshortandeffectivesentetoanymatter."FrequetothePolyantheacausedmanyagoodquotationtobehaeyed;thetermofrhetoric,"aon-place,"camethentomeanagoodsayingmadefamiliarbyincessantquoting,andtheninonspeeytritesayinggoodorbad,butonlywithoutwitinit.

  {35}ThusfarAristotle.Thewholepassageinthe"Poetics"runs:

  "ItisnotbywritinginverseorprosethattheHistorianaaredistinguished.TheworkofHerodotusmightbeversified;butitwouldstillbeaspeciesofHistory,nolesswithmetrethanwithout.Theyaredistinguishedbythis,thattheoeswhathasbeeherwhatmightbe.OnthisatPoetryismorephilosophical,andamoreexcellentthingthanHistory,forPoetryischieflyversantaboutgeruth;Historyaboutparticular.Inwhatmanner,forexample,anypersonofacertaincharacterwouldspeakoract,probablyornecessarily,thisisgeneral;andthisistheobjectofPoetry,evenwhileitmakesuseofparticularnames.ButwhatAlcibiadesdid,orpeohim,thisisparticulartruth."

  {36}Justinus,wholivedinthesedtury,madeaomeofthehistoryoftheAssyrian,Persian,Gre,Maian,andRomanEmpires,frusPompeius,wholivediimeofAugustus.

  {37}DaresPhrygiusposedtohavebeenapriestofVul,whowasinTrthesiege,andthePhrygianIliadascribedtohimasearlyasthetimeofAElian,A.D.230,posed,therefore,tobeolderthanHomers.

  {38}QuintusCurtius,aRomanhistorianofuaindate,whowrotethehistoryofAlexaheGreatintenbooks,ofwhichtwoarelostandothersdefective.

  {39}Notknowledgebutpractice.

  {40}ThePoetMonarchofallHumanSces.

  {41}In"LovesLaboursLost"aresemblancehasbeenfaweenthispassageandRosalindsdescriptionofBiron,a:-"Whichhisfairtongue--ceitsexpositor-Deliversinsuchaptandgraciouswords,Thatagedearsplaytruantathistables,Andyoungerhearingsarequiteravished,Sosweetandvolubleishisdiscourse."

  {42}Virgils"AEneid,"Bookxii.:-"AndshallthisgroundfaieddastardTurnusflyingview?Isitsovileathingtodie?"(PhaersTranslation[1573].){43}InstahepowerofthePoetswork.

  {44}Defectuous.Thisword,fromtheFrench"defectueux,"isusedtwithe"ApologieforPoetrie."

  {45}PartII.ThePARTSofPoetry.

  {46}Pastoralbened?

  {47}ThecloseilsseventhEclogue--Thyrsiswasvanquished,andCorydonedwithlastingglory.

  {48}iac?

  {49}OrIambic?orSatiric?

  {50}FromthefirstSatireofPersius,line116,inadescriptionofHomerssatire:

  "OmnevafervitiumridentiFlaccusamigit,etadmissuscircumpraecordialudit,"&c.

  ShrewdFlaccustoucheseachvihislaughingfriend.Drydenthustranslatedthewholepassage:-"Unlikeihod,withcealeddesignDidcraftyHoracehislownumbersjoin;And,withaslyinsinuatinggraceLaughedathisfriend,andlookedhimintheface:Wouldraiseablushwheresecretvicehefound;Andtickle,whilehegentlyprobedthewound;Withseemingihecrowdbeguiled,Butmadethedesperatepasseswhilehesmiled."

  {51}FromtheendoftheeleventhofHoracesepistles(Lib.1):

  "nonanimummutant,quitransmarecurrunt,Strenuanosexerertia;navibusatqueQuadrigispetimusbenevivere.Quodpetis,hicest,EstUlubris,animussitenondeficitaequus."

  Theygetheirskiesbutnottheirmindwhorunacrosstheseas;Wetoilinlabouredidleness,aoliveateaseWithforceofshipsandfourhorseteams.Thatwhichyouseekishere,AtUlubrae,unlessyourmindfailtobecalmandclear.

  "AtUlubrae"wasequivalenttosayinginthedullesteroftheworld,oranywhere.UlubraewasalittletownprobablyinCampania,aRomanLittlePedlington.ThomasCarlylemayhavehadthispassageinmindwhenhegavetothesamethoughtagranderforminSartorResartus:

  "Maywenotsaythatthehourofspiritualenfranchisemehis?

  Whenyouridealworld,whereinthewholemanhasbeendimlystrugglingandinexpressiblylanguishingtowork,beesrevealedandthrownopen,andyoudiscoverwithamazementenough,liketheLotharioinWilhelmMeister,thatyourAmericaishereorhesituationthathasnotitsduty,itsideal,wasneveroccupiedbyman.Yes,here,inthispoor,miserablehamperedactualwhereinthouevennowsta,hereornowhere,isthyIdeal:workitouttherefrom,believe,live,andbefree.

  Fool!theIdealisinthyself,theimpedimenttooisinthyself.ThyditionisbutthestuffthouarttoshapethatsameIdealoutof.Whatmatterwhethersuchstuffbeofthissortorthat,sotheformthougiveitbeheroic,bepoetic?Othouthatpiintheimprisooftheactual,andcriestbitterlytothegodsforakingdomwhereintoruleae,knowthisofatruth,thethingthouseekestisalreadywiththee,hereornowhere,couldestthouonlysee."

  {52}Oric?

  {53}Inpistrinum.Inthepounding-mill(usuallyworkedbyhorsesorasses).

  {54}ic?

  {55}TheoldsongofPerdDouglas,ChevyChaseinitsfirstform.

  {56}OrtheHeroic?

  {57}EpistlesI.ii.4.BetterthanChrysippusandtor.Theywerebothphilosophers,Chrysippusasubtlestoic,torthefirstentatoruponPlato.

  {58}Summaryoftheargumentthusfar.

  {59}Objesstateda.

  {60}eliusAgrippasbook,"DeIudiVanitateStiarumetArtium,"wasfirstpublishedin1532;Erasmuss"MoriaeEn"waswritteninaweek,in1510,ainafewmonthsthroughseveions.

  {61}Theobjetorhymeare.

  {62}ThefirstofthesesentencesisfromHorace(EpistleI.xviii.69):

  "Flyfromtheinquisitiveman,forheisababbler."Thesed,"Whileeachpleaseshimselfweareacredulouscrowd,"seemstobevariedfromOvid(Fasti,iv.311):-"sciameifamaemendaciarisit:Sednosinvitiumcredulaturbasumus."

  Amindscioushtlaughsatthefalsehoodsoffamebuttowardsviceweareacredulouscrowd.

  {63}Thechiefobjes.

  {64}Thattimemightbebetterspent.

  {65}Begthequestion.

  {66}Thatpoetryisthemotheroflies.

  {67}Thatpoetryisthenurseofabuse,iinguswithwantonailentdesires.

  {68}Rampire,rampart,theOldFrenof"rempart,"was"rempar,"from"remparer,"tofortify.

  {69}"Igivehimfreeleavetobefoolish."Avariationfromtheli.I.i.63),"Quidfaciasilli?jubeasmiserumesselibenter."

  {70}ThatPlatobanishedpoetsfromhisidealRepublic.

  {71}Whichauthoritycertainbarbarousandinsipidwriterswouldwrestintomeaningthatpoetsweretobethrustoutofastate.

  {72}Ionisarhapsodist,indialoguewithSocrates,whootuandwhyitisthathisthoughtsflowabundantlywhealksofHomer."Iexplain,"saysSocrates;"yourtalentinexpoundingHomerisnotanartacquiredbysystemahod,otherwiseitwouldhavebeenapplicabletootherpoetsbesides.Itisaspecialgift,impartedtoyoubyDivinepowerandinspiration.Thelikeistrueofthepoetyouexpound.Hisgeniusdoesnfromart,system,ormethod:itisaspecialgiftemanatingfromtheinspirationoftheMuses.Apoetislight,airy,holyperson,whoposeversesatallsolongashisreasonremainswithinhim.TheMusestakeawayhisreason,substitutinginplaceofittheirowndivineinspirationandspecialimpulse...Likeprophetsanddeliverersoforacles,thesepoetshavetheirreasontakenaway,andbeetheservantsofthegods.Itisnottheywho,bereftoftheirreason,speakinsuchsublimestrains,itisthegodwhospeakstous,ahroughthem."Gerote,fromwhosevolumesonPlatoIquotethistranslationofthepassage,placed"Ion"amongthegenuinedialoguesofPlato.

  {73}Guards,trimmingsorfags.

  {74}TheSedSummary.

  {75}CausesofDefeEnglishPoetry.

  {76}FromtheinvocationattheopeningilsAEneid(line12),"Muse,bringtomymindthecausesofthesethings:whatdivinitywasinjured...thatonefamousforpietyshouldsufferthus."

  {77}TheicheldelHopital,bornin1505,whojoiohisgreatpoliticalservices(whicludedthekeepingoftheInquisitionoutofFrandlonglabourtorepresscivilwar)greatskillinverse.Hediedin1573.

  {78}Whoseheart-stringstheTitan(Prometheus)fastehabetterclay.(Juvenal,Sat.xiv.35).Drydentranslatedthelihitstext-

  "Somesons,indeed,someveryfew,weseeWhokeepthemselvesfromthisiionfree,WhomgraciousHeavenfornoblerendsdesigheirlookserected,andtheirclayrefined."

  {79}Theoratorismade,thepoetborn.

  {80}Whatyouwill;thefirstthates.

  {81}"WhateverIshalltrytowritewillbeverse."Sidneyquotesfrommemory,andadaptstohistext,TristiumIV.x.26.

  "Spontesuacarmennumerosveadaptos,Etquodtemptabamdicere,versuserat."

  {82}HISfor"its"hereasthroughout;theword"its"notbeirodutoEnglishwriting.

  {83}DefetheDrama.ItshouldberememberedthatthiswaswritteheEnglishdramawasbuttwentyyearsold,andShakespeare,agedaboutseventeen,hadetoLondoroofShakespearesprecursorshadbeguntowriteforthestage.Marlowehadwritten;arengththatwastoeofthefreedomoftheEnglishdramahadyettobeshown.

  {84}TherewasnoseryontheElizabethanstage.

  {85}Messenger.

  {86}Fromtheegg.

  {87}Bias,slope;French"biais."

  {88}Juvenal,Sat.iii.,lines152-3.WhichSamuelJohnsonfinelyparaphrasedinhis"London:"

  "Ofallthegriefsthatharassthedistrest,Surethemostbitterisasfuljest."

  {89}GeeBaan(whodiedin1582,agedseventy-six)hadwritteninearlierlifefourLatintragedies,whenProfessorofHumaBordeaux,withMontaigneinhisclass.

  {90}DefeLyricPoetry.

  {91}DefeDi.Thisbeingwrittenonlyayearortwoafterthepublicationof"Euphues,"representsthatstyleofthedaywhichwasnotcreatedbutrepresehebookfromwhichittookthenameof"Euphuism."

  {92}Nizolianpaper-books,areonplacebooksofquotablepassages,socalledbecauseanItaliangrammarian,MariusNizolius,bornatBerselloieeury,ahescholarsoftheRenaissahesixteenth,wasohefirstproducersofsues.HistributionhabeticalfoliodiaryofphrasesfromCicero:"ThesaurusCiianus,siveApparatusLiinaeescriptisTulliiCiiscollectus."

  {93}"Helivesandwins,nay,estotheSenate,nay,estotheSenate,"&c.

  {94}Pounded.Putinthepound,whenfoundastray.

  {95}CapacitiesoftheEnglishLanguage.

  {96}MetreandRhyme.

  {97}LastSummaryandplayfulperoration松语文学www.16sy.coM免费小说阅读